Review of Casanova (2005) by Markb. — 09 Jan 2006

It's ironic that this sporadically lively, frothy period romp about the famous Italian lover is a near-miss for two different but interlocking reasons. Very simply, the title performance absolutely does not work: even giving much allowance for the plot requirement that Casanova has to constantly elude various legal, clerical and other establishment figures without being recognized, Heath Ledger's stiff, humorless performance is absolutely not what the role calls for.

In fact, from a technical standpoint his work here is not all that far removed from his stunning work as a taciturn, inarticulate cowpoke attempting to deal with forbidden desires he didn't know he was capable of having in the current Brokeback Mountain, but while that breakthrough performance was Brokeback's emotional anchor, in Casanova's instance it weighs this movie down in far less satisfying ways.

That's a real shame, bacause much of what's going on above, below and around Ledger is a real treat; director Lasse Hallstrom (My Life As A Dog) has spent the last several years of his life doing so much well-acted but overrated Oscar bait for the Weinstein brothers as The Cider House Rules, Chocolat and The Shipping News that it's really an enjoyable surprise to see him working with a lighter touch than we've seen since ABBA: The Movie! Jeremy Irons, playing an officious, self-righteous priest on Cas's trail is tremendously enjoyable, playing him as a cross between Snidely Whiplash and Jeffrey Jones' hapless high school vice-principal from Ferris Bueller's Day Off.

Sienna Miller, as our hero's fiery intellectual as well as romantic/erotic match, is so vibrant and joyously sexual that I found myself asking more than once if Jude Law's got a screw loose or what; Lena Olin matches Miller's appeal and adds an irresistable blend of slyness and subtle vulnerability.

And then there's Oliver Platt, who for the second time in as many moviegoing months steals the whole picture. In The Ice Harvest he actually made chronic alcoholism rather endearing, and here he makes overeating absolutely lovable; if you've made certain dietary New Year's resolutions, beware.

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