Review of Carrie Pilby (2017) by Christy Lemire for RogerEbert.com — 30 Mar 2017
Johnson keeps it all moving at a decent clip, though, with the help of Michael Penn’s score. And she photographs Powley and her mesmerizing blue eyes so lovingly that it’s hard not to find her adorable—even when she’s being awful.
You can read the full review where it was originally posted online.
This review of Carrie Pilby (2017) was written by Christy Lemire and published by RogerEbert.com on 30 Mar 2017.
Carrie Pilby has generally received positive reviews.
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