Review of Carol (2015) by Tatsuhito K — 26 Dec 2015

One of the things this film does so well is that it deliberately takes a lot of time to develop the relationship between the two main characters. Some people might find that excruciating, but it works perfectly for this film and I loved seeing the progression of two women slowly falling in love in a time period, in which people were not too fond of the concept of homosexuality.

But this is not a typical, melodramatic lesbian love story in the 1950s. Yes, the forbidden love is one of the main themes, but there is also a hint of mystery, a sense of playfulness (Phyllis Nagy's beautiful script deftly handles the drama and humor), and there is also a bit of road movie element.

But it is also about family, motherhood, and sexual rebellion. It is not only visually breathtaking, but also fantastically rich in detail (the gorgeous 16mm cinematography, ravishing costumes, and stunning production design, it is a work of art.

And the score. Oh, the score... it's simply terrific.) The year's one of the best films, masterfully brought together by the one and only Todd Haynes, features some of the best acting I've seen all year.

Cate Blanchett brilliantly captures the elegance and sadness of a married socialite with everything to lose, and Rooney Mara is near-flawless. Those who prefer entertainment over art would most likely hate this masterpiece with burning passion.

Subtlety is the key, and the actors deliver oppressed emotions through the face and eyes. Carol is a great film. I loved it.