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Last updated: 08 Jun 2026 at 19:52 UTC

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Review of by Madeline M — 20 Apr 2011

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This has the same histrionic costume drama vibe as La Reine Margot but I liked it much more, probably because it feels less self-indulgent (although it's still about as self-indulgent as, like, There Will Be Blood) and more self-skeptical.

It helps that Isabelle Adjani's performance is in such a different style from everyone else's - it drives home the feeling of isolation and alienation. And the art is really great, of course.

This review of Camille Claudel (1988) was written by on 20 Apr 2011.

Camille Claudel has generally received very positive reviews.

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