Review of Calvary (2014) by Anthony Lane for The New Yorker — 31 Jul 2014
The limitations of Calvary are summed up by the insistent, dialectical chatter that almost mechanically pings and pongs between lightness and darkness, glibness and seriousness, insincerity and honesty, faithfulness and despair.
You can read the full review where it was originally posted online.
This review of Calvary (2014) was written by Anthony Lane and published by The New Yorker on 31 Jul 2014.
Calvary has generally received very positive reviews.
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