Review of Caesar Must Die (2012) by Richard Brody for New Yorker — 30 Sep 2012
The movie's predominant black-and-white palette pares the action to its starkest outlines, and a few color sequences reconnect the prison, and the prisoners, to the surrounding world.
You can read the full review where it was originally posted online.
This review of Caesar Must Die (2012) was written by Richard Brody and published by New Yorker on 30 Sep 2012.
Caesar Must Die has generally received positive reviews.
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