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Review of by Michael Rechtshaffen for Los Angeles Times — 04 Dec 2019

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Unfortunately, as cobbled together by writer-director Patrea Patrick, those historical elements, in which grainy black-and-white archival footage is unconvincingly blended with repetitive reenactments, keep distracting from the main attraction, who is prominently featured in candid interviews conducted some years prior to his death in 2018.

You can read the full review where it was originally posted online.

This review of Bruno Sammartino (2019) was written by and published by Los Angeles Times on 04 Dec 2019.

Bruno Sammartino has generally received mixed reviews.

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