Review of Bruiser (2022) by Brandon Yu for The New York Times — 23 Feb 2023
Arren uses an assured hand in treating the family melodrama with the tenderness of a tone poem. For most of the film, he avoids painting in broad strokes while ratcheting up the conflict between Porter, a tattooed veteran living on a boat, and the bespectacled, seemingly upright Malcolm.
You can read the full review where it was originally posted online.
This review of Bruiser (2022) was written by Brandon Yu and published by The New York Times on 23 Feb 2023.
Bruiser has generally received positive reviews.
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