Review of Bronson (2009) by Brett C — 29 Jul 2014

Review In A Nutshell:

Bronson is an example of a biographic film that steers away most of the genre's conventional qualities. There is a fair amount to like about this film, and if it retained the perfection that is found during the film's first 30-40 minutes for the rest of the film, then this would have been another favourite of mine from the Danes director.

The film features an intriguing hook, firmly established at the start of the film, about Bronson's drive for fame. Along with this hook, is a wonderful exploration of a unique man; giving us a glimpse of his entire life, told somewhat with bias through the perspective of the man himself. Having the protagonist address to its audience, in both voice-over and the metaphorical stage, allows his endeavours to come off more gratifying to experience, elevating a sense of dark comedy that would have been lacking if taken the traditional third person approach.

Bronson's core strength lies in its first act where we are treated to a barrage of violent ventures which excited me in a superficial way; I found a feeling adrenaline watching him perform. Then for the bulk of the film's second act, the film slows itself down attempting to deliver layers for the character and make him seem more empathetic, but I was simply not ready for it and desperately couldn't wait until the film gains back that charisma that made the first act so powerful. Though I doubt I would feel the same way in my second viewing as I would be prepared for what would be served in front of me. When the film reaches its third act, things started to explode again but since I have gone through this journey with him, it certainly felt more intrinsic and profound.

Nicolas Winding Refn has already proven to me that he is an outstanding director, and Bronson hasn't shattered my perception of the auteur but at the same time it also didn't improve. Refn injects the film with a sense of style that fits well with the protagonist's personality. Bronson also provided Refn the opportunity to exhibit his influences with references to Kubrick and the infamous Hannibal Lecter; there were so many moments in the film that recalled Kubrick's A Clockwork Orange, but luckily it wasn't enough for it to completely overwhelm the film and come off as a pastiche rather than homage.

Arguably, Bronson is Tom Hardy's performance, as he was able to give off so much personality and charm that it is hard to take your eyes off the screen. I am not sure whether or not the actor performed all of the film's physical acts, but I was convinced with Hardy being able to demonstrate an aura of strength and intimidation. I think it's a damn shame that Hardy didn't receive an Academy Award nomination for his performance, as it certainly is astonishing.

Bronson certainly showed potential, through Hardy's exhilarating performance and Refn's flashy direction but pacing issues and lack of excitability during the film's second act prevented me from bestowing this as a masterpiece.