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Last updated: 02 Jul 2026 at 11:23 UTC

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Review of by Matt Zoller Seitz for New York Times — 21 Jun 2007

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A well-acted, smartly directed film that’s depressing because it could have amounted to so much more. It departs from the studio-financed romantic-comedy template in just one, unfortunately fatal respect: it makes a point of pride out of rejecting cliché, then swoons into its embrace.

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This review of Broken English: Three Songs by Marianne Faithfull (1979) was written by and published by New York Times on 21 Jun 2007.

Broken English: Three Songs by Marianne Faithfull has generally received mixed reviews.

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