Review of Broken Embraces (2009) by Panos M — 30 Jul 2010

One of Almodovar's most complex directions but also the weakest film in a series of masterpieces that started from Carne Tremula...

This review of Broken Embraces (2009) was written by Panos M on 30 Jul 2010.

Broken Embraces has generally received positive reviews.

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More Reviews of Broken Embraces

Review of Broken Embraces (2009)

By Benito M (4) on 13 Apr 2013

Just watched this movie again...viva Pedro…

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Review of Broken Embraces (2009)

By Carlos M (2,069) on 04 Oct 2018

A pretentious and ridiculously self-aggrandizing melodrama that feels like an empty excuse to explore the beauty of Almodóvar's muse Penélope…

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Review of Broken Embraces (2009)

By Dan Dinicola (36) for The Daily Gazette (Schenectady, NY) (36) on 02 Jan 2018

Cruz delivers a role with wit and elegance, but there's a vacuum sapping the energy she tries to offer…

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Review of Broken Embraces (2009)

By Liam Lacey (1,725) for The Globe and Mail (Toronto) (4,018) on 15 Jan 2018

At 128 minutes – Almodovar's longest film to date – Broken Embraces is an easy film to bid farewell to…

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Review of Broken Embraces (2009)

By Blake P (935) on 15 Sep 2014

One of my favorite films of all time. A tragic love story/ film noir full of beauty and passion…

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Review of Broken Embraces (2009)

By Daniel D (1,629) on 15 Sep 2012

A beautiful melodrama with so many angels it feels like an overly long Days of our Lives…

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Review of Broken Embraces (2009)

By Slavisa M (59) on 14 Jun 2013

This is an art house style film. Director Pedro Almodovar used Penelope Cruz in this movie as he did earlier in VOLVER…

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Review of Broken Embraces (2009)

By Jason R (1,823) on 22 Sep 2012

Maybe not AlmodÃ…

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Review of Broken Embraces (2009)

By Kirk Honeycutt (1,481) for The Hollywood Reporter (7,050) on 10 Aug 2017

This is a pretty minor film from the filmmaker. It feels like more of an exercise in plotting and movie nostalgia than a story about real people…

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Review of Broken Embraces (2009)

By Anthony A (656) on 27 Jul 2012

Doesn't grab you as hard as some of his other work, but it's still a decent Almodovar…

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