Review of Breathless (1960) by Nathan M — 12 Jun 2014

Godard's first feature is an entertaining film for what it is, but an all out classic for what it represents.

Admittedly, the stylistic limberness with editing and continuity can be a bit jarring at times. However, the economy with which Godard captures this story is impressive. The efficiency of what is depicted here becomes as interesting as the most decadent production on the other side of the spectrum.

The moral contrast between Jean Seberg and her man is interesting, allowing for thematic grey area and nuance. Her character is a femme fatale of sorts, though not of the conventional noir aesthetic of one. It's also interesting to me that the moments of violence occur in action and the dialog tends to be in the realm of the everyday. It's possibly partially a result of the dialog being written the morning of its shooting, along with generous leeway for improvisation. I also loved getting a snapshot of 1959 Paris.

Technically, it's effectively shot, with wise use of handheld and little to no lighting. The jump cuts were executed well for the most part, which lends the action a pared down thrust that more conventionally edited films can only approach. I hope to someday approach the minimalist technical enthusiasm of this piece.

While not a perfect film, it remains fresh 54 years after release. Godard's energy is evident and his willingness to break from and critique convention in a hyper-efficient, clean way, is an inspiration to this day. (13 June 2014).