Review of Braveheart (1995) by Anthony Lane for New Yorker — 24 Feb 2013
The political argument that ensues is pretty dull, but the battle scenes are the loudest and most convincing in years: Gibson has learned from Kurosawa in lending a clarifying thrust to what is, essentially, chaos.
You can read the full review where it was originally posted online.
This review of Braveheart (1995) was written by Anthony Lane and published by New Yorker on 24 Feb 2013.
Braveheart has generally received very positive reviews.
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