Review of Braid (2019) by Jared Mobarak for The Film Stage — 30 Jan 2019
Peirone reverses the usual trend of providing answers so her audience can open its eyes, inundating us with more and more questions thanks to a full sensory overload of sight and sound instead. Time becomes malleable, danger but a brief interlude forgotten as quickly as it was born.
She removes the pathways from one scene to another so we can find ourselves in the same bottomless rabbit hole as her characters.
You can read the full review where it was originally posted online.
This review of Braid (2019) was written by Jared Mobarak and published by The Film Stage on 30 Jan 2019.
Braid has generally received mixed reviews.
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