Review of BPM (Beats per Minute) (2017) by A.o. Scott for The New York Times — 18 Oct 2017
In spite of its historical specificity, BPM never feels like a bulletin from the past. Its immediacy comes in part from the brisk naturalism of the performances and the nimbleness and fluidity of the editing.
The characters are so vivid, so real, so familiar that it’s impossible to think of their struggles — and in some cases their deaths — as unfolding in anything but the present tense.
You can read the full review where it was originally posted online.
This review of BPM (Beats per Minute) (2017) was written by A.o. Scott and published by The New York Times on 18 Oct 2017.
BPM (Beats per Minute) has generally received very positive reviews.
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