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Last updated: 18 Jul 2026 at 21:56 UTC

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Review of by Willem W — 28 Nov 2007

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For my money, this is Oliver Stone's best film. A searing portait of Ron Kovic, a hapless kid from upstate New York who buys into the 'Rah Rah America' rhetoric during the Vietnam War, signs up, and gets his spine blown out.

Returning home a broken man, he realizes that his entire belief system is based on propaganda, and after a time of self-destructive drug abuse, he re-invents himself as an angry anti-war protester. Stone's work with his cinematographer and editor covers a dazzling array of visual styles.

Stone uses cinema to communicate not only drama, but experience. Some critics accuse him of a kitchen sink approach, but he's a skilled filmmaker who knows which combination of lenses, lighting, editing, etc are best to convey a specific feeling.

He's also aided here by a career-high performance from Tom Cruise, who takes a lot of knocks, but is a solid and committed actor. One dream scene, where Kovic imagines being able to walk again in a crowded Veteran's hospital is absolutely haunting.

How Driving Miss Daisy beat this out for Best Picture is anyone's guess. I wonder if Mr. Stone feels a bit like Cassandra these days -- after this and JFK one would hope that America was innoculated against lying governments and fear-mongering propaganda.

.. I wonder if this accounts for his sluggish output lately? I wish he'd come back.

This review of Born on the Fourth of July (1989) was written by on 28 Nov 2007.

Born on the Fourth of July has generally received positive reviews.

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