Review of Bonnie and Clyde (1967) by Gerardo R — 15 Jan 2013

A classic film in the history of American cinema. The late 60's was a period of significant transition which is still felt today. Movies were starting to move away from the classic clean look of older movies. With Bonnie and Clyde mainstream movies moved toward a more gritty and realistic presentation of life. This is considered the first mainstream American movie that presented scene shots where the gun shot and effects of the bullet are experienced instantaneously. Bullets can no longer enter a body without blood special effects and bullets do not simply enter the flesh without making exterior damage. For today, this is commonplace, but for 1967, it was groundbreaking.

In addition, the anti-establishment mood of the time period in the 60's is related to the similar mood of depression era America. The film begins with a woman alone in her bedroom trying to fight off boredom. Faye does a great job introducing the disillusioned character of Bonnie who wants more excitement in her life. The beginning shots zoom in as she tries to masquerade her feelings behind her makeup. The shots also imply repressed sexual desires. She looks out of the window and notices someone trying to steal her mother's car. Thus begins the tale of Bonnie and Clyde in the film. The opening sequence is extremely memorable with the time and patience that the director and writers take to introduce the characters.

From then on, Bonnie and Clyde begin their life of crime and thrills. They find a gas station attendant to join up with them to assist as a mechanic and getaway driver. Later, Clyde's brother and wife also join up in the journey that has only one path and conclusion. The film abandons historical accuracy for story delivery and delivers a successful final product.

Beatty does a great job presenting a character that is partially awkward socially, but very charismatic in spirit. His high level of enthusiasm and joy infuse the script with a lighthearted aspect that keeps the picture from being a fully serious film about the doomed star crossed couple. This type of approach where humor is expected more than a straight face account became popular in the late 60's and continued through the 70's. It prepared the way, for example, for Butch Cassidy and the Sundance Kid.

Dunaway presents a careful character that struggles with her non-traditional approach to life and her own desires of leading a traditional life. She is a character that is constantly desiring more and is never satisfied. Her jealousy and sexual tension play out admirably throughout the film. Gene Hackman does a great job as the big brother happy to reunite with his sibling, but also partially uncomfortable as they first meet where playful shadow boxing is better than a conversation. It is those kind of scenes where a truer to life aspect of the characters is presented creatively without words, but rather meaningful gestures that make the film standout.

This is a film that can be better appreciated through repeated viewings.