Review of Bonnie and Clyde (1967) by Pauline Kael for The New Yorker — 03 Jun 1996
Bonnie and Clyde is the most excitingly American American movie since “The Manchurian Candidate.” The audience is alive to it. Our experience as we watch it has some connection with the way we reacted to movies in childhood: with how we came to love them and to feel they were ours—not an art that we learned over the years to appreciate but simply and immediately ours.
You can read the full review where it was originally posted online.
This review of Bonnie and Clyde (1967) was written by Pauline Kael and published by The New Yorker on 03 Jun 1996.
Bonnie and Clyde has generally received very positive reviews.
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