Review of Bohemian Rhapsody (2018) by Richard Brody for New Yorker — 06 Nov 2018
Malek does an impressive job of re-creating Mercury's moves onstage, but the core of the performance is Malek's intensely thoughtful, insight-rich channelling of Mercury's hurt, his alienation and isolation even at the height of his fame.
You can read the full review where it was originally posted online.
This review of Bohemian Rhapsody (2018) was written by Richard Brody and published by New Yorker on 06 Nov 2018.
Bohemian Rhapsody has generally received positive reviews.
Was this review helpful?
Yes
No
