Review of Bohemian Rhapsody (2018) by Anthony Lane for The New Yorker — 29 Oct 2018
The later sections of the story, dealing with Mercury’s AIDS diagnosis, are carefully handled, but most of the film is stuffed with lumps of cheesy rock-speak (“We’re just not thinking big enough”; “I won’t compromise my vision”), and gives off the delicious aroma of parody.
You can read the full review where it was originally posted online.
This review of Bohemian Rhapsody (2018) was written by Anthony Lane and published by The New Yorker on 29 Oct 2018.
Bohemian Rhapsody has generally received positive reviews.
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