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Last updated: 19 Jul 2026 at 15:27 UTC

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Review of by Ben Kenigsberg for The New York Times — 11 Mar 2020

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Bloodshot runs out of meta tricks before it is over, and David S.F. Wilson, who borrows his visual vocabulary from Tony Scott and Michael Bay, delivers action sequences with such choppy continuity that viewers may be as confused as Ray.

He deserves bonus points, however, for embracing silliness.

You can read the full review where it was originally posted online.

This review of Bloodshot (2020) was written by and published by The New York Times on 11 Mar 2020.

Bloodshot has generally received mixed reviews.

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By on 02 Sep 2020

It was ok…

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