BlacKkKlansman (2018) - Movie Reviews - Page 56 of 56

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Review of BlacKkKlansman (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 14 May 2018

It’s no surprise that director Spike Lee prefers a hammer to a scalpel for this real-life drama, but his righteous fury is supplemented with…

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Review of BlacKkKlansman (2018)

By David Ehrlich (1,229) for indieWire (3,631) on 14 May 2018

Hell, this thing is so mainstream it feels like the start of a franchise…

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Review of BlacKkKlansman (2018)

By Richard Porton (36) for The Daily Beast (380) on 14 May 2018

BlacKkKlansman combines absurdist satirical humor and earnest agitprop with mixed results…

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Review of BlacKkKlansman (2018)

By Emma Stefansky (22) for ScreenCrush (954) on 14 May 2018

Stallworth's mission did not save the country from its original sin, and Spike Lee's film refuses to absolve us…

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Review of BlacKkKlansman (2018)

By Charles Bramesco (223) for Birth.Movies.Death. (774) on 14 May 2018

With this fiery work of righteous agitprop, Lee's chosen task is to connect the rose-colored racism of the remote past to the shameless bigotry…

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Review of BlacKkKlansman (2018)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 14 May 2018

If BlacKkKlansman is not above turning its characters into mouthpieces for its ideas, it wards off excessive didacticism by giving those ideas…

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Review of BlacKkKlansman (2018)

By Gregory Ellwood (229) for Collider (1,032) on 14 May 2018

A crusading Spike Lee is often the best Spike Lee…

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Review of BlacKkKlansman (2018)

By Stephanie Zacharek (2,333) for Time (1,811) on 14 May 2018

BlacKkKlansman is both hilarious and exquisitely direct, and had it been made before November 2016, you might call Lee’s approach a little…

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Review of BlacKkKlansman (2018)

By Martyn Conterio (121) for CineVue (2,163) on 14 May 2018

That Lee has crafted a funny film full of snazzy editing, stylish imagery and a tremendous blues rock score, yet is laser-focused on a very…

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Review of BlacKkKlansman (2018)

By Richard Lawson (539) for Vanity Fair (761) on 14 May 2018

Lee uses Blaxploitation motifs playfully but with purpose, honoring an era of discourse and activism while urging for the necessity of a similar…

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Review of BlacKkKlansman (2018)

By A.a. Dowd (854) for The A.V. Club (5,644) on 14 May 2018

Although he’s made his most narratively entertaining movie in years, the filmmaker often still privileges polemical discourse over drama,…

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Review of BlacKkKlansman (2018)

By Jordan Ruimy (242) for World of Reel (117) on 14 May 2018

Despite its imperfections, Spike Lee's BlackKklansman is rousing political entertainment…

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Review of BlacKkKlansman (2018)

By Robbie Collin (1,612) for Daily Telegraph (UK) (2,495) on 14 May 2018

A heady hybrid of comedy, polemic and period crime drama, it could have been scattergun stuff, and there are patches of preachy overkill…

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Review of BlacKkKlansman (2018)

By Todd Mccarthy (1,810) for Hollywood Reporter (2,966) on 14 May 2018

Lee and his writers have thrown as many logs on the fire as they’ve been able to find to signal the persistence of racial injustice; they…

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Review of BlacKkKlansman (2018)

By Steve Pond (235) for TheWrap (3,203) on 14 May 2018

BlacKkKlansman, is quintessential Spike Lee, impassioned and messy and vital as anything he's done in decades…

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Review of BlacKkKlansman (2018)

By Raphael Abraham (46) for Financial Times (1,822) on 14 May 2018

The Klan and the idiocy of their ideology are repeatedly and effectively skewered…

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Review of BlacKkKlansman (2018)

By Jason Gorber (520) for Dork Shelf (109) on 13 May 2018

Blackkklansman is an excoriating, unapologetic s--- on the chest of Trumpians and their nativist agenda, and may well serve as one of the defining…

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Review of BlacKkKlansman (2018)

By Peter Debruge (1,557) for Variety (12,700) on 13 May 2018

Lee’s latest is as much a compelling black empowerment story as it is an electrifying commentary on the problems of African-American representation…

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Review of BlacKkKlansman (2018)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 13 May 2018

It’s an entertaining spectacle but the brilliant tonal balance in something like Jordan Peele’s satire Get Out leaves this looking a little…

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Review of BlacKkKlansman (2018)

By Emily Yoshida (237) for New York Magazine/Vulture (3,519) on 13 May 2018

BlacKkKlansman is a nuanced story of race in America, but Lee doesn’t take any chances with vagueness or ellipses, nor should he…

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