Review of Black Panther (2018) by Isaac J — 29 Dec 2018

Few predicted the level to which Marvel's Black Panther would become a cultural phenomenon. Director Ryan Coogler's addition to the MCU received acclaim from critics and audiences alike, as well as breaking an impressive $1 billion at the worldwide box office. Perhaps key to the success of Black Panther is the way that it thrills both fans of the superhero flick but also transcends the usual bounds of the genre, in its characters, design and themes. This is a film that subverts the typical Marvel formula, something which is long overdue.

Chadwick Boseman comfortably leads the film as the eponymous hero, venerable monarch by day and suit-sporting vigilante by night. T'Challa rules the nation of Wakanda, a futuristic and technologically advanced utopia shielded by a mask as a third-world nation. T'Challa's ex-lover, Nakia (played on expected brilliant form by Lupita Nyong'o) fights the case for Wakanda's moral duty to share the truth of their wealth; this is one of many surprisingly complex questions which weave their way satisfyingly into the narrative. Taking this even further is the film's villain, Erik Killmonger, a Wakandan isolated from the kingdom, calling for a revolution by black people against their oppressors. Michael B. Jordan is a charismatic villain, wonderful shades of humanity embedded within his performance, providing a fitting and scarily relatable foe for the Black Panther. A spunky ensemble (though prone to spouting exposition) completes the mix, Letitia Wright's Shuri acting as the Q to T'Challa's Bond and Martin Freeman delightfully Watson-esque as an obliging CIA agent.

For the most part, Black Panther is a stunning movie to witness, embracing its Afro-futurism with a colourful and vibrant design. The film feels very much buried in its cultural roots, which gives some understanding to the film's significance. Ludwig Goransson provides a luscious and innovative score and rap numbers courtesy of Kendrick Lamar complement the action.

The action sequences in the movie are also riveting; "I never freeze" pronounces T'Challa coolly in an early scene... and neither does the film itself. Pace never lags in relentless and sharp action sequences, gripping the audiences to their seats and, at some points, providing a strong emotional pay-off. The final act is certainly where the film is at its most disappointing, descending into an increasingly loud and banal CGI-fest, which, whilst not uncommon in a Marvel flick, is certainly beneath the calibre of Black Panther. Visual effects are also dodgy at certain instances, oddly plasticky and unfinished-looking. For the most part, however, Black Panther delivers soundly for popcorn moviegoers, never allowing its themes and cultural statements to overtake the pure entertainment.

One only has to see Black Panther to understand the reasons behind its sensation and the whisper of Oscars floating around. Ryan Coogler has crafted a visually staggering blockbuster, which manages to tell an engrossing story, with plenty of popcorn thrills, yet also a remarkably deep cultural message that boasts great relevance. Black Panther is without a doubt one of the most exciting and inventive Marvel outings yet.