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Last updated: 03 Jun 2026 at 22:15 UTC

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Review of by Kyle Smith for Wall Street Journal — 21 Oct 2022

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Much forced joshing about the conventions of the genre undercuts the impact of the film’s action, which is also severely limited by the smash-em-up frenzy of the special-effects department. Not for the first time in a comic-book epic, the CGI cart comes before the storytelling horse and leads it off a cliff.

You can read the full review where it was originally posted online.

This review of Black Adam (2022) was written by and published by Wall Street Journal on 21 Oct 2022.

Black Adam has generally received mixed reviews.

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