Review of Björk: Biophilia Live (2014) by Nicolas Rapold for The New York Times — 24 Sep 2014
As skillful an orchestrator as Björk is, her crescendos and tightly designed wilderness can lose their strength with repetition. But she and her collaborators do make a pretty singing picture with their chosen audiovisual tool set.
You can read the full review where it was originally posted online.
This review of Björk: Biophilia Live (2014) was written by Nicolas Rapold and published by The New York Times on 24 Sep 2014.
Björk: Biophilia Live has generally received very positive reviews.
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