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Last updated: 07 Jul 2026 at 08:16 UTC

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Review of by Peter Travers for Rolling Stone — 06 Feb 2020

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The fight scenes grow numbing as the birds take on the goons in melees that add up mostly to noise. All you feel is numb as Yan piles on one brawl after another to give the illusion that something is happening.

Nothing really is. Birds of Prey and its ilk are empty calories, not meant to disturb when they dazzle. Joker, whatever its shortcomings, tackled a festering society that created its own monsters. Slapping the topical theme of female empowerment on a story that trucks in business-as-usual violence does not qualify as a game-changer — or a reason to go to the movies.

You can read the full review where it was originally posted online.

This review of Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) (2020) was written by and published by Rolling Stone on 06 Feb 2020.

Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) has generally received mixed reviews.

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