Review of Big Eyes (2014) by Joanna B — 05 Jul 2015

The need for recognition is normal human foible, but what happens when deception becomes a mandatory way of life?

In the late 1950's, aspiring painter Margaret (Amy Adams) flees her abusive husband with only her daughter and portfolio to start anew in artist friendly San Francisco.

Quickly encapsulated by the extravagant charm of fellow artist Walter Keane (Christoph Waltz), the two promptly wed and begin a life of romantic notions and artistic aspirations.

A consummate salesman, Keane talks his way into renting walls in a jazz club to showcase their works but when his wife is the only one to receive praise for her stylized 'big eyed waif' series, Keane refuses to be outshone, claiming full credit.

Consumed by money and fame, Keane claims full credit and to the disgust of critics, revolutionizes the commercialism of popular art through mass production. But at what cost?

An intriguing true-story of a time where isolation, imprisonment and intimidation were common place within the home, has sadly been over caricaturized in the hands of director Tim Burton. Big Eyes lacks a depth and genuine insight into why the Keane's is such an evocative story of blatant plagiarism.

Adams tries to be emotional but comes across as expressionless the big eyed waifs & although a seemingly perfect choice, Waltz relies too heavily on playing up neurotic personality changes and fake vulgar grins.

The Verdict: Like the art of its subject, the story is more appealing than the product.

Published : Canberra Weekly Magazine.

Date of Publication : 02/04/2015.