Review of Big Eyes (2014) by Lowbrowcinema — 02 Jan 2015

Like all of Tim Burton's films, BIG EYES looks great and it may well be his most adult film yet. Unfortunately, Burton's singular imagination doesn't invite real danger. The horror or conflict is easy, fun and childlike.

And that's the problem with BIG EYES. This most intriguing story of the Keane's and their big eye paintings invites exploration into gender politics, sexism, pop culture v. high art, and the very nature of art itself.

I wish the film failed for seeking to explore too many areas, instead Burton and his screenwriters are only interested in rubbing the surface of the Keane's personal story and the filmmakers depict this world with little threat or real consequence.

That's why it comes as such as a shock in the final moments when Margaret Keane testifies to being manipulated and threatened. When was there any real threat? Why is her duplicity never explored with any depth? Amy Adams has the chops to deliver what is needed but instead, Burton focuses relentlessly on the shenanigans of Walter Keane.

In many ways, Burton and his two male screenwriters are guilty of doing to Margaret's story exactly what Walter did to Margaret in real life. The film is entertaining, but ultimately, nothing more than a diversion when depth and insight were there for the exploring.