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Last updated: 11 Jun 2026 at 07:40 UTC

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Review of by Chuck Bowen for Slant Magazine — 23 Jun 2016

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Emmerich rewards our patience with an impersonally massive set piece involving the usual generic stew of mass CGI-imagined demolition. The insensitivity displayed toward human life in these sequences would be galling even by Emmerich's standards, if this pitiful albatross of corporate capitalism could work up enough energy to be offensive.

You can read the full review where it was originally posted online.

This review of Bastille Day (2016) was written by and published by Slant Magazine on 23 Jun 2016.

Bastille Day has generally received mixed reviews.

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