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Last updated: 06 Jul 2026 at 20:12 UTC

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Review of by Dana Stevens for The New York Times — 06 Mar 2010

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The lovely clarity of this story, which seems to have been drawn from the literature of an earlier age, is well served by the artful subtlety of the telling. Mr. Majidi prefers imagery to exposition, and his shots are as dense with meaning, and as readily accessible, as Dutch paintings.

You can read the full review where it was originally posted online.

This review of Baran (2001) was written by and published by The New York Times on 06 Mar 2010.

Baran has generally received very positive reviews.

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