Review of Bantú Mama (2022) by Marya E. Gates for RogerEbert.com — 17 Nov 2022
Co-writers Albrecht and Herrera clearly have a deep connection to its setting in the Dominican Republic, to the island’s past, present and its future. They also deeply feel the ever-present current of African culture that persists throughout the post-colonial diaspora.
They see the beauty and the complexity of feeling as though you belong in two places, to two cultures equally and at the same time.
You can read the full review where it was originally posted online.
This review of Bantú Mama (2022) was written by Marya E. Gates and published by RogerEbert.com on 17 Nov 2022.
Bantú Mama has generally received positive reviews.
Was this review helpful?
Yes
No
