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Last updated: 03 Jun 2026 at 22:00 UTC

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Review of by James Spillane for Slant Magazine — 21 Nov 2012

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In painting a large-scale tableaux of the Henan disaster, Feng Xiaogang has inevitably been forced to sacrifice the specificity and focus on individual characterization that are generally so important for allowing the viewer a point of entry into such an important piece of history.

You can read the full review where it was originally posted online.

This review of Back to 1942 (2012) was written by and published by Slant Magazine on 21 Nov 2012.

Back to 1942 has generally received mixed reviews.

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