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Review of by Swati — 06 Dec 2013

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This is hailed as the best work of science fiction out there, if not the best ever. Star Wars becomes a more serious franchise with this instalment. Some time seems to have passed during which Han Solo and Luke Skywalker have grown as thick as thieves. They now look out for each other more fiercely.

The conflict escalates as the empire assaults the rebels' new base, forcing them to flee. Luke along with his trusted squadron must engage the enemy while the civilians make their escape. A battle ensues in which Luke outsmarts several adversaries and then escapes himself. In the disorder, the three main characters are separated from the rest, and from each other. Luke embarks on a journey to learn to become a Jedi knight, an ancient order of knights that was mainly destroyed but still has one member from whom Luke must learn the trade. Darth Vader chases Leia and Han across the galaxy, anticipating their every move. Han and Leia, pursued by the Empire, seek to hide in an unusual place.

We are introduced to a new character called Yoda, who teaches Luke everything he can to help him fulfil his destiny. We are also shown for the first time the face of the Emperor. A new city is introduced into the story that gets by on mining. It is there the climax of the movie takes place. A duel between our primary protagonist and antagonist takes place, culminating in a line of dialogue that has since its uttering fascinated fans for decades.

Most of the alien creatures are in costume or mechanical, and are jittery at times. But the visual effects and set design seemed to improve the nearer we got to the end, especially when we get to see the Cloud City.

Some of the elements distracted me from the story and prevented me from taking the movie seriously. All planets have atmospheres that humans, and every other being there is, can breathe in. Even in space, you can do without a helmet and suit but put on an oxygen mask just to be on the safe side. Mynocks, and one other creature, can live in outer space without the need for respiration. Lucas makes no attempt to show how this could be happening. His disdain for science becomes more apparent. At one point Luke lands on a planet that has snakes and lizards. If Star Wars takes place in a separate galaxy from the one Earth is in, how could our animals be a part of the ecosystem of this alien planet? Lucas should have stuck with his imaginary alien animals, no matter how ridiculous they looked, for the inclusion of earthly animals made me rethink the intro about this story taking place in some other galaxy.

But you have to ignore serious debate about science fiction if you are to enjoy this film. Take it as you would any fantasy film. As this film expands upon the mythology of the franchise, it becomes clear that that is where Lucas had intended for us to take our thoughts, even if we are to swallow the whole notion of the Jedi and their supernatural abilities associated with the Force. The Force is a mysterious entity that often takes sides in a conflict and bestows power upon worthy individuals from time to time, but I can be wrong. Because there is Darth Vader to consider. Only Lucas would know the full answer, and he has chosen to use sparing words in order to keep the aura of mystery around it.

The Empire Strikes Back is the most lauded instalment in the series, and rightly so. It has inspired and influenced many other works in the genre. For that reason it would forever remain in the minds of movie lovers. But if one is to consider it independent of its impact, and choose to scrutinize it with an eye to its value as a piece of art, it falls short in my opinion. Serious work involving logic and reason would always fascinate me more than an adventure tale where the story develops as you go along, and science can be sacrificed at every other turn for the benefit of entertainment.

This review of Back Roads (1981) was written by on 06 Dec 2013.

Back Roads has generally received mixed reviews.

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