Review of Atlantics (2019) by Richard Brody for The New Yorker — 14 Nov 2019
Diop films the characters and the city with a tactile intimacy and a teeming energy that are heightened by the soundtrack’s polyphony of voices and music; she dramatizes the personal experience of public matters—religious tradition, women’s autonomy, migration, corruption—with documentary-based fervor, rhapsodic yearning, and bold affirmation.
You can read the full review where it was originally posted online.
This review of Atlantics (2019) was written by Richard Brody and published by The New Yorker on 14 Nov 2019.
Atlantics has generally received positive reviews.
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