Review of Athena (2022) by Peter Bradshaw for The Guardian — 02 Sep 2022
It’s spectacular and immersive, with a sensational opening. But it gets bogged down in its own one-note, one-tempo uproar and open-ended parkour camerawork – impressive though that is – and suffers from a number of sneaky false-flag get-out clauses that feel like a cop-out.
You can read the full review where it was originally posted online.
This review of Athena (2022) was written by Peter Bradshaw and published by The Guardian on 02 Sep 2022.
Athena has generally received positive reviews.
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