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Last updated: 09 Jul 2026 at 17:20 UTC

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Review of by Adam Nayman for Sight and Sound — 11 Nov 2016

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Arrival has the look and feel of a big-ticket production, albeit torqued towards millennial melancholy, complete with a muted, blue-grey colour palette by cinematographer Bradford Young.

You can read the full review where it was originally posted online.

This review of Arrival (2016) was written by and published by Sight and Sound on 11 Nov 2016.

Arrival has generally received very positive reviews.

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