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Last updated: 24 Jun 2026 at 15:56 UTC

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Review of by Grace Glueck for New York Times — 20 May 2005

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Producer-director, Stanley Donen, apparently goes on the theory that in a chase movie the plot should only be used as a framework, for visual entertainments. Arabesque provides those, all right—Op photography, lush décor, gimmicky locations and hairraising pursuits.

And, of course, Sophia Loren, a stunning bit of animated scenery who is not called upon to act but to Dior.

You can read the full review where it was originally posted online.

This review of Arabesque (1966) was written by and published by New York Times on 20 May 2005.

Arabesque has generally received mixed reviews.

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