Review of Aquaman (2018) by Michael O'sullivan for Washington Post — 19 Dec 2018
On the plus side is the eye-popping production design, although that is also, like the plot, too, too much, dazzling the eye with more fantastical Atlantean technology and — inexplicably — underwater fire than a Las Vegas edition of Cirque du Soleil.
Like the frequently shirtless Momoa, it’s pretty at first, then it just hurts.
You can read the full review where it was originally posted online.
This review of Aquaman (2018) was written by Michael O'sullivan and published by Washington Post on 19 Dec 2018.
Aquaman has generally received positive reviews.
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