Review of Annabelle: Creation (2017) by Michael O'sullivan for Washington Post — 09 Aug 2017
Horror works — or it doesn’t — in the flickering, moving images of the screen, not the page. Sandberg knows that. His artistry, for that’s what it is, is like that of the dollmaker Sam Mullins: to take inert material and create a living, breathing thing.
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This review of Annabelle: Creation (2017) was written by Michael O'sullivan and published by Washington Post on 09 Aug 2017.
Annabelle: Creation has generally received positive reviews.
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