Review of Annabelle Comes Home (2019) by Oliver Jones for Observer — 24 Jun 2019
While Dauberman is still figuring out how to effectively build suspense (Daniela’s various forays into the Artifact Room seem to take as long as visits to the DMV), he does a good job of varying the types of scares he uses to shock his audience.
He also leavens the tension with just the right amount of humor and does well with his recreation of the ’70s.
You can read the full review where it was originally posted online.
This review of Annabelle Comes Home (2019) was written by Oliver Jones and published by Observer on 24 Jun 2019.
Annabelle Comes Home has generally received mixed reviews.
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