Review of Ammonite (2020) by Anthony Lane for The New Yorker — 09 Nov 2020
Yet the movie persuades you, and bears you along. It may lack historical grounding—though Mary and Charlotte were certainly friends, the existence of any further intensity is pure, indeed wild, supposition—but it feels emotionally earthed, and, far from rising above the spartan brutishness of the early scenes, Lee digs deeper still.
You can read the full review where it was originally posted online.
This review of Ammonite (2020) was written by Anthony Lane and published by The New Yorker on 09 Nov 2020.
Ammonite has generally received positive reviews.
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