Review of Amélie (2001) by Erik_Imsen — 04 Feb 2013
While Amelie appeared as a true UFO in the filmmaking landscape to anyone who wasn't acquainted to Jeunet's universe, it happened to be, back in 2001, a logic evolution in the director's work after Delicatessen and The City of Lost Children.
Amelie is a masterpiece of "Jeunetian" optimistic poetry, that interestingly clashes with the dark poetry of his previous films yet seems to simply be the flip side of the same modern-poetic coin.
This review of Amélie (2001) was written by Erik_Imsen on 04 Feb 2013.
Amélie has generally received very positive reviews.
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