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Review of by Frédéric Bonnaud for Film Comment Magazine — 09 Apr 2018

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In a sense, Amélie depends on the maniacal cataloguing of signifiers of a caricature France: Jeunet nails every last one. But he cleverly opts for a tone that is modest rather than grandiose.

You can read the full review where it was originally posted online.

This review of Amélie (2001) was written by and published by Film Comment Magazine on 09 Apr 2018.

Amélie has generally received very positive reviews.

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