Review of Amadeus (1984) by Eric H — 02 Jan 2012
A film that should be recognized (if for nothing else) for it's all-encompassing elegance and it's poised camera artistry. Milos Forman, an already beloved and skilled director, achieved captivating cinema brilliance-- not once during the 158 minute run time does there seem to be an excessive shot or too much flourish; it is all simply necessary.
F. Murray Abraham was ingenious, but the real kudos must be given to Tom Hulce who was robbed of the Oscar for best actor. He perfected a character so multi-faceted that his will go down in history as the most intelligent, fascinating and intuitive performance of Wolfgang Amadeus Motzart on the silver-screen. It is in the laugh alone, so individual it's almost painful, that half of the story unwinds. Scripts be damned (though Peter Shaffer's happens to be a superbly written one), the real story was told through Hulce's masterful characterization.
With an impossibly gorgeous set-design and down-right incredible costuming, this period-piece feels oddly rejuvenated and modern: almost too lively and worn to be so old.
A must see Oscar film, and a must see piece of entertainment. The only reason it does not receive a higher star-age from me is because the flash-back convention often pulled me out of the story, and though the insights from an older Salieri were prominent in the story, it was simply too much.
This review of Amadeus (1984) was written by Eric H on 02 Jan 2012.
Amadeus has generally received very positive reviews.
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