Review of Amadeus (1984) by Pauline Kael for The New Yorker — 06 Dec 2012
It binds up introductory lessons in music appreciation, Freudian psychology, and fanciful history with a pulp thriller plot.
You can read the full review where it was originally posted online.
This review of Amadeus (1984) was written by Pauline Kael and published by The New Yorker on 06 Dec 2012.
Amadeus has generally received very positive reviews.
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