A parable of the missteps of life enacted in the hothouse world of late 1980's New York, in which the art market and the stock market each boomed, and in process spawned a smorgasbord of "yuppie" delusions which still persist. Anna, a French actress studying in New York, crosses paths with a successful stock-broker, Mark, standing before a Vermeer portrait at the Metropolitan, thence ensues a peculiar romance of missed meanings and connections, with tangential asides to the steaming arts world and stock market, loft-mate conflicts, and, perhaps, love. Wrapped up in their blindered worlds, Anna and Mark deflect away from their chances, leaving at the conclusion the wistful face of Vermeer's portrait enigmatically asking questions. All the Vermeers in New York is a comedy of manners which, as gently as a Vermeer, looks beneath the skin of this time and place, and of these characters.
All the Vermeers in New York has generally received mixed reviews.
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Review of All the Vermeers in New York (1992)
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Review of All the Vermeers in New York (1992)
By Frederic And Mary Ann Brussat (3,072) for Spirituality and Practice (3,072) on 17 Jul 2003
Review of All the Vermeers in New York (1992)
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All the Vermeers in New York was released in 1992 and has generally received mixed reviews.
Online reviewers have written 6 reviews, giving All the Vermeers in New York (1992) an average rating of 58%.
Overall, film critics prefer the movie, giving it an average score of 70%, compared to cinema-goers, who gave it a lower average score of 60%. Professional critics were more impressed with All the Vermeers in New York than amateur reviewers were.
With a score of 58%, All the Vermeers in New York is roughly the same as the average Cinafilm score for movies made in 1992, which stands at 58%.
Other movies from 1992 with similar scores include films like Housesitter and Only You.
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