Review of All the Beauty and the Bloodshed (2022) by Tony Bravo for San Francisco Chronicle — 29 Nov 2022
A great visual artist documentary has to be more than a series of images set to narration like an art history course. The best films find some compelling reason in the present to spend time with them. All the Beauty and the Bloodshed filmmaker Laura Poitras’ searing, urgent portrait of photographer Nan Goldin finds that in the opioid crisis.
You can read the full review where it was originally posted online.
This review of All the Beauty and the Bloodshed (2022) was written by Tony Bravo and published by San Francisco Chronicle on 29 Nov 2022.
All the Beauty and the Bloodshed has generally received very positive reviews.
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