Review of All of Me (1984) by Pauline Kael for The New Yorker — 02 Jan 1998
Martin has become a superb physical comic, and Tomlin brings some unexpected warmth to a cruelly written part. A manic fuzziness takes over in the last reel and spoils some of the pleasure, but it's still a sympathetic effort.
You can read the full review where it was originally posted online.
This review of All of Me (1984) was written by Pauline Kael and published by The New Yorker on 02 Jan 1998.
All of Me has generally received positive reviews.
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