Review of Alien Girl (2010) by Yulia I — 31 Oct 2011

Critics didn't seem to understand much...sad...

This review of Alien Girl (2010) was written by Yulia I on 31 Oct 2011.

Alien Girl has generally received mixed reviews.

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More Reviews of Alien Girl

Review of Alien Girl (2010)

By Mark Olsen (451) for Los Angeles Times (12,977) on 16 Dec 2010

From its title, Alien Girl seems to promise some kind of playful intergalactic adventure. That, it is not…

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Review of Alien Girl (2010)

By Avi Offer (997) for NYC Movie Guru (997) on 17 Dec 2010

Gritty and action-packed, but often contrived and monotonous while lacking enough of a heart and brain to be a truly suspenseful and engrossing…

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Review of Alien Girl (2010)

By Justin T (783) on 08 Dec 2011

A solid crime drama. It offers up a twist from typical thug capers but overall nothing is too surprising…

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Review of Alien Girl (2010)

By David Rooney (943) for Hollywood Reporter (2,966) on 15 Dec 2010

There's insufficient suspense in the life-or-death stakes, sketchy plot detail in the gang clash that triggers the action and too little ambiguity…

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Review of Alien Girl (2010)

By Vadim Rizov (155) for Boxoffice Magazine (2,896) on 22 Dec 2010

American viewers are unlikely to be interested…

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Review of Alien Girl (2010)

By Anatoliy B (23) on 26 Jun 2011

A very, gritty Russian crime epic. The title is a bit weird because its not an alien lmao. idk wtf was that for…

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Review of Alien Girl (2010)

By Ronnie Scheib (420) for Variety (12,700) on 15 Dec 2010

Offering a smorgasbord of violence with liberal sprinklings of sex, Russian import Alien Girl delivers wearisome brutality but little finesse…

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Review of Alien Girl (2010)

By Brent Simon (1,142) for Shared Darkness (279) on 17 Feb 2011

Alien Girl exudes a wearying, recombinant raison d'être; it's as if all the parts of a dozen American crime thrillers were distilled through…

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Review of Alien Girl (2010)

By Tim M (3,013) on 03 May 2012

Good crime movie. Features an unusual, abrupt ending…

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Review of Alien Girl (2010)

By V.a. Musetto (698) for New York Post (6,650) on 17 Dec 2010

In his feature debut, Bormatov doesn't much bother with things like character development, relying instead on raw brutality, profanity and…

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