Review of Alien (1979) by Lheth — 16 Jul 2016

'Alien' is a nearly flawless film; it's thrilling, nerve-racking and visually stunning even by today's standards. The plot is delightfully straightforward, but simultaenously layered and intriguing, with pacing brisk enough to keep viewers fully enveloped in the story.

For its time, it subverted the horror genre in an unfamiliar way by being unpredictable and popularised elements that slasher films would later borrow liberally from, all the while crafting a audaciously brave heroine Ripley (Sigourney Weaver). Although Weaver and her character were the breakout stars, there is not one forgettable crew member, from perpetually terrified Lambert (Veronica Cartwright) to Yaphetto Kotto's abrasive Parker.

The true star? HR Giger's iconically designed antagonist: the xenomorph. Ridley Scott's restraint with showing the alien only drums up suspense like Keith Moon awaiting for a prostate exam, and when it is seen in all its horrific glory, it's an unparalleled presence.

The production design of the sets by Michael Seymour. The intricate details of the titular monster by the screenwriters. The visual flair of director Ridley Scott. The performances of Weaver, Hurt et al. Jerry Goldsmith's score. Each crew member deserves individual acclaim for their work in this masterpiece, but unfortunately there's not enough room.